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Heretage hotel „Kurija Mihalović“

Heritage hotel “Kurija Mihalović”

The conceptual approach to this project is based on a balance between the past and the present, between architecture and nature, and between historical and contemporary needs. The main new addition, the swimming pool hall, is located near the Manor, conceived as a “bent earth” – a fold in the terrain that serves as a pedestal for the historical form, remaining in the background so that the Kurija remains the central spatial artifact. Along with a series of smaller interventions, a new volume is inserted into the previously unused roof space of the Manor, which protrudes through the roof plane in the form of pavilions. These offer views of the historical park and the pool roof, enhancing the new experience of the Mihalović Manor narrative.

The Mihalović Manor in Feričanci had been left in an unrenovated state for many years, exposed to the elements. The building itself was constructed in the late 18th century in a late Baroque-Classical style, and was later restored and extended in the mid-19th century. By the end of the 19th century, the Mihalović family sold the Kurija, which began to deteriorate. Over the 20th century, the building’s functions changed, including being used as a primary school and later as a residential building.

The design and programming of the future use of the Kurija, in collaboration with the investor, was a long, nearly decade-long process through which various functional possibilities were explored, always aiming for a balance between the new function and the historical heritage.

The Heritage Hotel ” Mihalović Manor” consists of only five bedrooms and a master suite but features a variety of additional spaces – salons for various events, a music room, a wellness area with a pool, and a special wine cellar where only wines from the Enosophia brand, owned by the investor, are served.

Certain functions are located within the historical building, while the underground garage, services, and wellness with a pool are placed at the rear of the Manor, beneath the grassy area of the historical park. This topographical change in the pool area signals the dynamics of the new functions.

In accordance with conservation guidelines for the restoration, the exterior of the Kurija has been restored while preserving its historical architectural elements. The entrance portals on the south and north façades have been reconstructed, and other elements have been preserved in their entirety. Inside, all modern partitions were removed on the ground floor, and the vestibule was returned to its original level. On the upper floor, all later structures were removed, and the series of salons was reestablished through the shared spaces of the day rooms and reception areas.

Along with the construction, the investor managed to acquire furniture and artwork that had been removed from the Kurija after World War II and taken to Zagreb, further enhancing the heritage value of the space.

The complexity of designing such a building is also evident in the high roof. The master suite with two bedrooms is located in this space, with openings in the roof structure forming pavilions that offer views of the park from the courtyard side. The historical wooden structure has been reinforced with an additional steel frame to support the cantilevered pavilions. Unlike the ground and first floors, which preserve the historical character, the roof space is fully modern, complete with contemporary furnishings, and is accessible by a lift directly from the underground garage, which is hidden beneath the park.

The placement of the pool building in the courtyard, relatively close to the historical structure, does not compete with the Manor, and it is connected to it by an underground passage. The green, fifth façade, or the roof of the pool building, is the most important façade, as it is the one most visible from the most representative first floor of the Manor. The green roof is elevated like a tent structure, forming a clear connection with the surroundings, focusing the view on the Manor and the park, which become an integral part of the pool hall experience.

Project team:
Nenad Ravnić, Kata Marunica, Filip Vidović, Marin Piršić, Ivana Triva, Maja Bencetić, Mirta Mesić, Frane Dumandžić, Antonio Omičević, Nikica Pavlović, Goran Rukavina, Ante Sušić, Karla Tavić
Collaborators:
Radionica statike d.o.o., Termoprojekting d.o.o., Geneza d.o.o., Inspekting d.o.o., Schindler Hrvatska d.o.o., Apin projekt d.o.o., Krešo Geo d.o.o., Grid d.o.o., Naravno d.o.o., Tihomir Jakob (Ingeniero Mecánico Certificado), Denis Paleka (Ingeniero Mecánico Certificado), BAZ Projekt d.o.o., Nexe d.d., PBG d.o.o., Fusio d.o.o., Boris Gerenčević, Šulentić-Lenart d.o.o., Premur d.o.o., Tablinum d.o.o.
Photo:
Marko Banić, reroot
Investors:
Nexe dd
Status:
Built
Design Year:
2009 - 2019
Realisation:
2020 - 2024
Plot Area:
6,332 m²
Gross surface area:
2,554 m²

“MAJ Townhouses”

 

Maj townhouses were created as a kind of experiment on the subject of housing. Within the urban unconsolidated perimeter of the city of Poreč, the project brief initially envisioned a standard residential building with commercial apartments. A residential building is characterized as a row of ten separate houses with their own gardens and atriums, rethinking the environment in which various typologies such as family homes, vacation homes, and residential buildings mix. In this way, one building becomes a new neighborhood in itself, where residents have access to their own garden or atrium, which contributes to the feeling of personal space and enables outdoor activities within a private environment.

In addition to typology, special attention was paid to color in order to clearly communicate the number of residential units to the outside. The tones are a paraphrase of Istrian plasters with the idea of ​​quality “aging” of the facade in the Istrian sun and change in intensity over the years.

The residential units themselves have a compact floor plan, on the ground floor there are living spaces with connections to the garden/atrium, while the bedrooms are located on the first floor.

Project team:
Kata Marunica, Ana Mustapić, Nenad Ravnić, Filip Vidović, Marin Piršić, Goran Rukavina
Collaborators:
Ured ovlaštenog inženjera građevinarstva Damir Karabašić, Fabris inženjering d.o.o., E.B. PROJEKT d.o.o.
Photo:
Jan Stojković, Nenad Ravnić, Kata Marunica
DRONE Photo:
Filip Ružić
Investors:
Napa Estate d.o.o.
Status:
Built
Design Year:
2021 - 2022
Realisation:
2024
Plot Area:
1400 m2
Floor Area:
420 m2
Gross surface area:
910 m2

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Central squares in Koprivnica

EXISTING CONDITION

The area of intervention can be segmented into three zones that form logical spatial units: Ban Jelačić square : a wide street with trees that occasionally hosts seasonal events; a square in front of the market: generator of the largest daily pedestrian and bicycle traffic; and the main city square Zrinski: an apparently oversized square bounded on one side by the green facade of city park, and on the other side by the facade of an unfinished block of various contents and the city hall to the east and the old “Podravka” building in the west. Each of the mentioned spaces has a specific potential that distinguishes it from others, and the possibility of joining the system of public spaces in the center of Koprivnica.

The main square of Zrinski, seen from the air, acts as an intersection of roads and pedestrian wpaths stretched between streets and smaller squares in the east and west. This spatial tension has made the main square of Koprivnica a transit place : a space defined more by flow and movement, and less by lingering and everyday activities. With intuitive lines of movement, cyclists bypass the vast empty space “cutting” the square diagonally in order to get from one end to the other as quickly as possible.

CONCEPT

Accepting the flow as an inevitability in the functioning of new city square, and bicycle paths as a kind of coordinate system, smaller zones are formed between the mentioned paths and the perimeter of the square.Zrinski square is like a collage of activities defined by micro-locational specifics. A “tapestry” of smaller squares structured around the solid axes of bicycle paths in the form of an “X” has been laid on ground. Each zone corresponds directly with the purpose of the surrounding context or brings its own new amenity. By using different urban equipment, light/shadow and different paving, we form an urban collage of possible smaller zones created with regard to the context and habits of citizens of Koprivnica. Neighboring squares become so-called “green vestibules”, giving Zrinski Square clear visual borders.

Project team
Maja Bencetić, Frane Dumandžić, Kata Marunica, Nenad Ravnić, Andrea Šandrk, Roko Šarić, Karla Tavić, Filip Vidović
Photos
Pedestrian photos: bosnić+dorotić

Drone photos: Zoran Bakić;
Filip Ružić

Investors
City of Koprivnica
Surface
15000 m2
Status
Built
CHRONOLOGY:
2019 - 2023
COLLABORATORS
Aquachem d.o.o.; CO-art d.o.o.; Grid d.o.o.; Lipapromet d.o.o.
AWARD LINK:
Balkan architectural biennale 2023 – Recognition in Urbanism Paysage Topscape - 3rd prize in STREET LANDSCAPE & SLOW LANDSCAPE category Jutarnji list - posebno priznanje 6. Balkansko arhitektonsko bijenale

PROJECT

The Zrinski Square is divided into twelve smaller zones. Each of these zones is adapted to the nearby building or micro ambience. For example: in front of the gallery zhere is an „art zone“ with pedestals for occasional exhibitions and circles for drawing on the florr. Under the maple trees is a “pop-up zone“ for summer events. In front of the bars and restaurants are „coffee zones“for parasols and tables. The square is mostly made of concrete pavers of different dimensions, layout and processing schemes. The color of the pavers themselves is the result of a careful analysis of the facades of the surrounding buildings, historical heritage and the Podravina ambience itself. Paths with reddish paving stones, which are a reference to old brick roads, are especially emphasized. Multifunctional zones for occasional gatherings are ocher-yellow ephasizing their symboling importance, while other zones are in shades of gray. In the middle, there are mosaics – an interpretation of the famous Podravina embroidery. The bicycle lane “X” that crosses the square is made of rough-hewn concrete to emphasize the change in material. The new fountain, identical in shape to the old flower garden – rundele, is now a multipurpose fountain paved with gray flamato sandstone. The fountain itself is lowered 2 cm in relation to the square, and can form a water mirror that reflects the park and the old Town Hall, while in the summer it becomes water playground for the youngest residents of Koprivnica. The urban equipment of the square adapts to the environment and encourages different activities. It includes wooden benches next to the park, benches/pedestals on the “art-square”, benches-bike racks at the entrance areas of the square and concrete circular benches around the existing tall trees towards the Park. The area in front of the library and cinema is dominated by a solar tree equipped with Wi-Fi, power outlets and a screen displaying meteorological data. Sculptures, such as the existing but also the new monument to cyclists, have been placed on the oposide sides of the Zrinski square. Horticulturar species are mostly similar to those found on site. Ban Jelačić square and the Market square are additionally embodied with rows of maple trees Acer globosum. Existing tree line on Zrinski square is added with maples and soforas with spruce bushes underneath. Red japanese maples are placed in the “art zone” inside circular benches/planters together with the Ophiopogon plant.

Gordan Lederer Memorial

Broken lens on the edge of hillside Čukur, over valley of the river Una. Lens is cracked and burrowed into the grass. The access path is directed towards the monument and stops 10 meters in front of it. Leaving the monument, the lens, untouched and surrounded by emptiness. Crossing the meadow in front of the monument is to be left to the decision of the visitor; whether to stay at the end of the path, look at  situation and go back the same way or to walk on grass towards the goal; the monument and look through the lens Gordan Lederer Una valley.

The lens is broken, mosaic of diffrent images of the Una river valley is recognized in the glass fragments, framed just and only by the coincidence of  glass breakage. Meadows clean space in front of the lens is maneuvering space, the space of locating ideal angle. View glides over the glass and watchs the scenes in the rubble, the visitor moves through the valley of  lost perspective lens Gordan Lederer.

From the valley, monument dematerialize itself and becomes just a flash.

Project team:
NFO + Petar Barišić
Photo:
Bosnić + Dorotić; Cropix
Investors:
HRT
Status:
Built
Year:
2015
award link:
2019 East Centric Arhitext Awards Contest - Finalist for Broken Landscape Gordan Lederer

AC CampingIN Stella Maris

Umag Stella

Stella Maris Camping is located in a thick pine forest in Umag, costal town in Istria, Croatia. The client’s task was to enrich the camp’s offer with a new swimming pool with accompanying amenities, and to integrate it with a new reception for the camp. The project was created in co-operation with the civil engineering office IF Projekt d.o.o. from Rovinj, which was in charge of the arrangement of the whole camp and civil engineering.

The location – nature and the pine forest was the basis for the concept of the complex. Sun decks and swimming pools are carved into the gently sloping terrain, while indoor facilities exploit the existing height difference and are located under the green roofs that branch over the sun deck.

There is no straight line separating the complex from the rest of the camp – instead it is integrated with its surroundings. This approach emphasized the concept of the entire camp – maximum preservation of nature and morphology of the terrain.

The complex consists of a large swimming pool, a children’s pool and a baby pool. In addition to the pools, there is a reception with offices, and an outdoor bar and restaurant. In this way, the swimming pool is not just an isolated camping segment – it is also the first vista when entering the camp.

Project team:
Damjan Kolundžić, Kata Marunica, Dijana Pavić, Nenad Ravnić

Konstrukcija: I.F. projekt

Photo:
Marko Mihaljević
Investors:
Plava laguna d.d.
Building area
6 500 m2
Status:
Built
Year:
2019
award link:
2019 Stella Maris - Nomination for the annual awards of the Croatian Chamber of Architects
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Miramare square

The location of the Miramare square is specific because it includes a part of the former Art Nouveau park, the square in front of the newly opened hotel and one of the city’s main thoroughfares. The task was to provide a complete solution to include the three mentioned units and achieve that the square functions as a single unit, and that each stakeholder can function independently: the city promenade, the city park, car traffic, vehicular access to the hotel and the hotel terrace itself.

The square is located at the northern end of the Strossmayer Promenade – a beautiful green promenade with deep shade that many people pass by. On the eastern side there are public and private facilities, while on the western edge there is a thin beach with a view of the sea and the island of Krk.

Part includes the rest of the former Art Nouveau park with high-quality high greenery, while the part closer to the hotel served as a parking lot. The two units are crossed by a road that had to be adapted in terms of shape and safety to the large number of pedestrians who pass from the city beaches to the city center and vice versa.

Project team
Frane Dumandžić, Kata Marunica, Nenad Ravnić
Photos
Zoran Bakić
Investors
City of Crikvenica
Surface
3100 m2
Status
Built
Year
2021
Construction year
2022

The solution interprets a recognizable horticultural element from Strossmayer’s promenade – the so-called green islands or “pills” that are evenly applied to both parts: the square in front of the hotel as well as the contact area of the park where the new fountain leads. the same shape. By positioning the benches as part of the green “pills”, the new square becomes a gathering place and thus ceases to be just a passing point in the city promenade.

In order to ensure occasional car access to the hotel entrance for guests, the vehicle route itself is decently emphasized with different types and direction of asphalting.

The thoroughfare that cuts through the square is lined with stone blocks to visually harmonize with the rest of the square and has a transverse profile in the form of waves, in order to further slow down traffic. The undulating road has already entered the memory of the people of Crikvenica as part of the Stjepan Radić Square solution, so now the “undulating road” marks the beginning and end of the strict center of Crikvenica.

In order to further enrich the square with pedestrian paths, the western part of the greenery towards the beaches is additionally paved, and side routes from the hotel and other facilities to the beach are created.

As a reference to the former Art Nouveau park that contained exotic plants from all over the world, species such as Ligustrum Japonicum, Sophora Japonica and Magnolia grandiflora were used in the square, and the existing park is complemented by Cedrus Atlantica and Quercux Ilex.

DUBoak – Maritime Heritage Interpretation Center

DUBoak – Maritime Heritage Interpretation Center in Malinska on the island of krk is part of a larger project for the development of Malinska coastal belt – a result of a public architectural competition that became a strategic document for the future development of this island town. After the realization of the project for the main square and the reconstruction of the   „Velika Barka“ waterfront, the Interpretation Center is the newest part of the project that is transforming public spaces of Malinska, which were neglected for many years despite the strong tourism growth.

Project team:
Damjan Kolundžić, Kata Marunica, Marin Piršić, Nenad Ravnić, Filip Vidović
Set Authors:
STUDIO PUTINJA d.o.o., set design;
FARO11 with dr. sc. Tamara Nikolić Đerić, museum concept;
HEREDO, heritage interpretation;
VISUALIA, multimedia;
ALPHERA, graphic design
Photo:
bosnić+dorotić;

drone photos by Danijel Krznarić

Investors:
Municipality of Malinska Dubašnica
Building area
Plot area: 1042 m2;
Floor area: 617 m2;
Gross surface area: 352 m2
Status:
Built
Year:
Design year: 2015. - 2021.;

Realisation: 2022.

award link:
2023 BIG SEE Cultural buildings Award Winner

The building of the Interpretation Center is located in the continuation of the park and forms its facade towards the main local square. The park arches over the building forming a roof that covers interior spaces but at the same time it remains a public area of the park with a lookout point and a Mediterranean garden. In this way, the building returns the “lost” space to the park, enriched with new contents with a potential to become an public space activator of the entire zone.

The massive green roof is supported by wooden V-shaped columns through which the interesting layout of the Interpretation Center can be seen. The aim was to provide a contemporary presentation space for the traditional heritage and history of Malinska, but also a transformation of the town center. With the help of multimedia technologies, visitors will be presented with all aspects of Malinska maritime heritage. Valuable and authentic objects, various artifacts, documents and other exhibits are on display. The center organizes educational events, workshops and gatherings where the knowledge and skills of island shipbuilders and caulkers are presented and passed on to future generations. There will be events in front of the Center as well, where a small harbor for traditional wooden boats will be formed.

In addition to the multi-purpose exhibition space, which is the main content of the Center, there are also the premises of the Sailing Club and the Sports Fishing Club. In this way, the Center gets additional facilities and maintains active outside the tourist season.

With an integral approach to solving the problem of public spaces, from the architectural competition to the realization, small island town of Malinska is becoming an example of public space revitalization.

Bowling Alley Gornji kraj Ladvić

The space of the future Ladvić Center consists of a micro-urban complex consisting of the primary content of a bowling alley, a local board, commercial content, and a coffee bar.

The complex is divided above ground into three volumes below which are sports facilities mimicked into the surrounding terrain. The inclusion of large facilities in the field does not burden the existing small structure of the settlement, the views towards the sea are released and pedestrians are allowed to enter the newly formed area of ​​the sports square between the above-ground volumes.

Access to the complex is possible from the main road in the south, in the north from the parking lot, in the west from the main entrance, and from the sports square above the complex.

The fragmentation of the above-ground volumes freed up space for outdoor bowling alleys and for public space in the service of secondary facilities, the local board, and commercial space (shops).

Project team
Kata Marunica, Nenad Ravnić, Filip Vidović
PHOTO
Bosnić+Dorotić,
Zoran Bakić
INVESTORS
Grad Crikvenica
BUILDING AREA
1 428 m2
STATUS
Built
project year / completion year
2013 / 2021
award link
2023 Merit Award for Community Center and Bocce Club BKGK-L

Würth warehouse and office building

Conceptually, the main building is comprised of two main masses – the offices are oriented toward the main road, and the warehouse towards the yard. Through the design of the building, we endeavored to reconcile these two different, but equally indispensable and complementary, elements in an expression that would encompass the built volume in a single compact ensemble – a vision of the space which has remained consistent from the initial sketch until the realization.

The dynamic interplay of elements inside a rather simple rigid cubic shape was achieved by slicing the volume and removing parts of it in order to fill the space with more sunlight, which resulted in additional facade areas and naturally lit spaces.

As a consequence, terraces, inner courtyards, entrances and similar open and covered spaces, intended for communication, outside events, or resting during work breaks, were placed in the realized cavities in the volume. A hanging garden was formed in the gap between the two masses, which connects the warehouse and the offices – conceptually, functionally, and visually – but it also supplies the warehouse with the needed infrastructure. The series of hanging bridges is used to transfer the water supply, electricity, and the heating from the technical block situated in the office building to the warehouse.

The general approach comprised of removing elements from the whole in order to achieve a dynamic play of the remaining geometry is also visible in the treatment of the facade – while the kept parts of the envelope have an overall calm grey shade, the cuts into the volume are contrasted to them and treated as if the removal left behind a bright red surface in the place of the cut. This treatment resulted in a differentiation between the rigid outer envelope and the dynamic spaces of terraces and squares formed by displacing parts of the mass.

A warehouse and an office building are, in general, functionally quite different buildings, and, essentially, they require different treatment: viewed separately, purely office buildings or purely warehouse buildings commonly have very different appearances.

In order to stay consistent with the concept, in the sense of valuing both elements as equivalent parts of a single functional assembly, we decided on using complementary facade systems, both of which needed to be innate to the purpose of the space they are enveloping. For that reason for the office building, we designed a rear-ventilated facade with aluminum composite panels as the covering, while on the warehouse a facade consisting of vertically placed thermally insulated sandwich panels was devised, in the same shade as the facade of the office building.

Project team:
Damjan Kolundžić, Kata Marunica, Marin Piršić, Nenad Ravnić, Ante Sušić, Karla Tavić, Ivana Triva, Marin Zidarević,
Photo:
Marin Piršić
Investors:
Würth-Hrvatska d.o.o.
Building area
11 230 m2
Status:
Built
Year:
2022

LABUST Research Pool

On paper, everything is simple, since you just need to dig a pool, and in practice everything is complicated. Starting with the basic construction project for the swimming pool, which is digging a hole about 3m deep, this time inside the building and a very limited budget. As manual digging of a pit measuring 8x4x3m is no longer an option, the only option was to bring a “children’s” caterpillar into the premises to dig vertical excavations practically next to and under the existing foundations. In addition, excavations encountered “archeology” in the sense of dead sewer pipes for which the origin and purpose were then to be discovered, as well as large pieces of concrete from former foundations that were thrown waiting for someone to discover and forget again.

Around the pool, there is an operational part within which there is a robotic crane for lowering and raising drones, while in the pool there are cameras and lighting for better monitoring of their movements.

Project team:
Kata Marunica, Nenad Ravnić, Goran Rukavina, Sara Vulić
Photo:
MIljenko Bernfest
Investors:
University of Zagreb, Faculty of Electrical Engineering and Computing
Building area
155 m2
Status:
Built
Year:
2021

The finishing of the floor surface is PVC in two colors, while under the existing steel roof structure there is a suspended ceiling of different heights. Outdoor light is filtered through shelves designed to expose underwater robotic submarines and specific equipment.

Next to the pool hall, a “niche” with tables for occasional work is planned, as well as a kitchenette. The task was to “minimize” the intervention on the facade of the building in terms of bringing it into functional condition with all the necessary information and logos of the institutions involved, which was “used” to achieve a visual identity and perception of the new purpose through the exterior.

The project was co-financed by the European Union from the European Regional Development Fund.

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